This past semester, I’ve been part of an interdisciplinary fellowship through the JMU Libraries, designing courses that will be using the amazing JMU 3Space, a combination 3D-printing lab classroom in historic Carrier Library.
I’ve learned so much this semester from my colleagues in other disciplines, as we’ve practiced ways that we can use 3D modeling and design in our pedagogy. With this new experience, I’m excited to teach a course on literary and cultural studies that involves 3D modeling as part of our students’ critical toolset. Many thanks go to my JMU colleague Jamie Calcagno-Roach for her help facilitating this great learning experience, and to my ODU graduate professor Dr. Margaret Konkol for continually inspiring me to explore 3D modeling as a critical tool in literary studies.
This past May, as part of our work as HASTAC Scholars, my colleague Rachel Willis and I presented for HASTAC in their Digital Fridays series, on the topic of using digital tools as meaningful course assignments, in addition to or in place of traditional papers.
Some of the assignments and tools we discuss in this presentation include:
textual analysis tools
video and board games
object creation (via tools like Sketchup or Tinkercad)
We enjoyed thinking through what can be beneficial for student learning about these alternative assignment types. Here are a few of our main takeaways:
Think beyond “just” papers: Papers can be an excellent evaluation technique, but their use is rooted in many assumptions about thinking, knowing, and literacy. They are not always the best vehicle students have for demonstrating their learning.
With digital tools, walk students through exploring the interface early on. Model discovery. Don’t assume students know very much and build in class-time to take them through as much as possible technology-wise.
When in doubt, involve students in decision making. For example, allow students to work alone or in groups. Offer them two different deadline choices. Give them a selection of assignments to choose from. This is another way of acknowledging student agency and recognizing that choices students make usually play to their strengths.
Imperfection is better than inaction. We learn from every change we make to courses and assignments, so even though we risk making mistakes, the work of a more inclusive, practical learning environment is important enough to warrant the risk.
Thank you to Rachel for researching and presenting this with me, and to HASTAC and our facilitator Adashima Oyo as well.
Although it might be obvious to those with lots of experience, I wanted to write a user-friendly “first-timer’s guide” for non-New-Yorkers about getting started using the rare books holdings at the New York Public Library, which I was able to do during a recent visit to the city. For nascent scholars, it could be a surprise to learn that even if you are not a New Yorker, you have options for access. The Schwarzman Building (the main library branch with the lions) is a huge, beautiful landmark in midtown Manhattan — it’s frequently full of tourists in the main areas, and you can’t blame them, it’s absolutely stunning visually — but it is also a working research library with some world-famous holdings.
For anyone who might wonder how to do this on a visit to New York, here’s what I did: (To be fair, I had used this library’s rare books archive once before while completing my MA thesis, so I was not a true beginner.)
First, it’s probably obvious, but it’s absolutely essential to respect all of the guidelines for use of materials and be as quiet as possible so as not to distract your fellow researchers while working. If you have questions about what to do, the staff is very helpful.
From home, apply online for a library card. Keep track of your username, PIN, and the temporary barcode number you’ll be given. You will have to show up in person with photo ID to finalize your account, but the majority of the process is completed online, so it was pretty quick in person: I’d say 5 minutes? I went near closing time on the first day I was in town, so perhaps it was a low-rush time of day.
From home, locate items of interest in the online library catalogue. This is open for anyone to search. I did this by searching for a specific publisher I am interested in, so that helped me narrow things down right away. I am assuming that if you are reading this there is already something you are interested in at this library. (In my case, I am researching an area of Victorian publishing that crosses between periodicals and books, so their George A. Arents “Books in Parts” collection had some items I was very eager to examine in their original wrappers and bindings. To be honest, if you are working on any historical topic, the odds are pretty good this library has something of interest, as their collection is massive.)
Log in to the catalogue with your new credentials and begin to save sources you are interested in. Notice which ones are in Off-Site storage — these need to be requested at least a few days in advance, because most of them are stored all the way in New Jersey. If you have trouble requesting them with your temporary barcode number, you can email reference librarians directly for help. It’s important to follow up with them about it, though, as they get a lot of emails. Keep track of whether items you are saving are in a special collection or the main holdings, as this will affect where you read them.
Double check the hours for the library on the days you’ll be visiting, and the hours for your collection / reading room. If you have very limited time — I unfortunately had just one full day and part of the day prior — politely make that clear in your communication with any archivists or librarians, so things can be timed correctly.
Read up on the rules for researchers – many of the special collections require you to fill out a 2nd application for use of the materials, in which you describe why you are interested in the pieces, and give an academic reference. Don’t be intimidated: this step is not to keep you from working with items from the collection you are interested in, just to weed out tourists or casual spectators.
When you get to the library, first look for the “Library Cards” service desk – it was located down in the children’s area. Asking at the main information desk near the entrance will get you directions. Bring along your temporary barcode number from when you applied online, and know your username and PIN. Show your photo ID and sign forms to get your shiny new library card! It will have an expiration date since you live out of town, but KEEP IT after your trip anyway – they can refresh your dates next time you are in the city, and you won’t have to completely reapply.
Go to the coat check (this is on the lowest level along with the Library Card area) and give them your bag, coat, forbidden pens, etc. It varies by area, but the room / collection I was working with allowed you to bring in only a laptop and camera (phone), and a clear plastic bag with your personal valuables, which had to stay closed while you work. They did not allow you to bring in pens, notebooks, or books, or any cases that your laptop might usually be in. The coat check workers will give you large clear plastic bags to keep your valuables in (which you take with you), and your research materials (in my case, a phone, laptop, and cord). Precisely what you could bring was slightly unclear to me from the instructions online, so I’m glad I asked upstairs first, as there are quite a LOT of stairs between the area with the coat check and the area where you do the reading.
Take your plastic bags and go back to the reading room – try not to fall over from how beautiful it is as you walk in! If you have pre-arranged for items to be on hold for you, they will already be there. Follow the instructions from staff — you will have to fill out some more paperwork, in my case a photography log saying what I took images of, and individual paper call slips for each item I worked on.
The librarians/archivists will give you one item at a time — they furnish you with a padded foam “cradle” for the delicate old items to rest on while you work with them, and bookweights to hold down pages for you, as well as advice if needed while you work. The room is quite cold for preservation of old materials, so it’s a good idea to have long sleeves or a warm layer while you work.
When you are finished with each item, you take it to the desk and they will swap it out for the next one. The staff are very helpful if you have questions as you go. Enjoy the experience!
When you are completely finished, you return your last item, pack up your things, and go downstairs to reclaim your coat and bag. Before heading down, I made use of the library’s very fast, free WiFi to be certain my digital notes and archive photos were backed up more than one place before leaving. And I left, walking on cloud nine.
I hope this is helpful for students who are new researchers, or anyone looking to make the most of some research time in NYC. It’s certainly a world-class resource, and I’m so grateful for my time working there this past weekend.
PS – Even if you aren’t planning to examine special collections or other holdings from the library, consider studying for a bit in the Rose Reading Room (pictured above) on the 3rd floor. Once you get past the little whirlpool of sightseers near the door, I’m convinced it’s the finest space in the world just to sit and read a book or work on some writing.
Just take the references and other aspects of the poem on blind faith. Read it first for joy. Shut up your head’s claptrap and open yourself to fall in love with it. Treat it like a first date, which should begin with ignorance but also with hope. Only if you fall in love do you make a study of the beloved, for only passion lets us inquire into other people’s mysteries with the vitality born of conviction. With enough ardor, your date’s off-putting manner of dismantling chicken becomes an adorable nuance. So it is with “The Waste Land.”
Mowbray Morris, editor of Macmillan’s, wrote to Thomas Hardy in 1886 asking him to save one of his novel characters (partway through serial publication) from too much sexual immorality:
“I have received a Round Robin concerning some offence against morality that had been smelled out in our pages! … Of course it is very annoying to have to reckon for such asses: still, I can’t help it; an Editor must be commercial as well as literary; and the magazine has scarcely so abundant a sale that I can afford to disregard any section of its readers.”
Quoted in Philip Gaskell’s From Writer to Reader, p. 197
When reading a new book or article that I know will be relevant for research or class, I’ve developed a template in Google Docs that helps me keep track of my notes, and make them easy to search later (which I’ve written about and shared here).
Working on this frame is effective for me so far — and it follows me smoothly from device to device, which is key when your work happens in multiple locations. But when reading a text that is location based — at the moment, an important biography with many different geographical spaces in it — I’ve been exploring ways to easily organize and visualize this data.
When a text’s story occurs in multiple places across time, we can safely assume (usually, anyway) that the writer is familiar with these places and how they relate to each other. But with the intimacy of an author and manuscript comes a familiarity seldom so native to the reader: especially when the location is distant for readers, descriptions such as “all the way in Suffolk” carry plenty of implication, but questionable actual import.
For a quick way to give more context, I’ve begun to play with the My Maps function in Google Maps. Here’s a basic tutorial. You can create a custom map, with separate layers for different characters or eras if you like, and enter locations with as little as a postcode or intersection of two known current roads. You can also add links and images to your notes for each plotted point, which can be a simple but effective way to keep track of multiple sources you’ve used in tracking your information.
Here’s an example map I put together with some locations from the life of Carry A. Nation, the temperance crusader who smashed saloons across Kansas in the early 1900s. She moved around a lot, and was arrested many places, so the geographical visualization of her travels seems useful. (As you can see, this is a quick example I’ve put together to show the way I use this feature, not really scholarly research. Contributions are very welcome!)
Improvements I would love to have:
Easier visual transition to locations in the order you place them on your map — Prezi-like bounces? You can currently click through a list (easier on a full computer screen than mobile) or drag your mouse cursor over a list and see each spot “light up” visually as you do.
Integration of historical mapping – locations with different names at different times
I’ve always liked the Cornell note-taking style of paper, and been a devotee of pens and paper for the most part — I still take all my live notes that way. But I’ve noticed when I’m reading a document or book for my own research, it is helpful for me to type out my notes. The major benefit being that they are then searchable later, and that typed text is easier for me to quickly read when scanning through to use them later.
Well, friends, this is one of those “is it just me?” confessions where I admit that for years I’ve been saving my research bibliographies and PDF versions of scholarly articles in a variety of folders on 3 different computers and with a filename system that has been… inconsistent at best. It hasn’t hindered me too much, but it’s bothered me, knowing there had to be a better way, and preferably an open-source, cloud-syncing and web-friendly way.
For me, that’s been Zotero. You can make a free account here, download the standalone application for your laptop or desktop computer here (mobile is not quite as stable, in my experience so far at least), download the plug-in for your favorite browser here (it seems to play especially well with Chrome for me), and — if you’re interested — see my current research project public folders here. It has been good for me to think about the taxonomy of my sources, what belongs with what, and why. Here are a few of my favorite things about it:
Zotero keeps research organized. No more folders of random files saved with names and dates. What a relief!
For articles and book chapters, it can save the actual PDF files for you, even with your annotations, and has a cool shortcut to rename files consistently for you so you aren’t stuck with the opaque name like 0986543.pdf that EBSCO decided to give you.
You can easily share your working bibliography, including the constituent folders, with others when collaborating by making a “group” – even if you’re the only member in your group!
It can handle a huge range of genres of sources: books, articles, websites, multimedia files, and just about anything else you can come up with to want to save.
You can save a source in more than one collection (folder) — so in my case, if an article has to do with both narrative theory AND Victorian women’s periodicals (be calm my heart!) with a simple click and drag, I can assign it to both collections without having to save multiple copies of the file.
This is a big one — it does the majority of the data entry for you, especially if you are saving items from a library database or Google Scholar. It’s certainly worth double-checking citations for the details of your actual Works Cited or Bibliography, but it’s a great start toward having the info you need when you need it.
But nothing’s perfect, right? A few things I’d like to see improved? I am glad for its vibrant online development community, where considerations are taken seriously. In fact, a few of my concerns have turned out to already be answered, with a little research!
Having smoother mobile integration, especially for tablets
Plug-in reliability: I’ve had to un-install and reinstall my browser “connector” a few times when it wasn’t recognizing all of the fields for articles, and just thinking they were web pages. Not the end of the world — it’s a quick process, and that “free” open source price tag is more than worth a few hiccups — but it would be great for it to be a bit more consistent.
All in all, Zotero has really made a difference in how I organize ongoing projects. If you have a chaotic folder or two of your own, give it a try! Here’s a great YouTube video explaining how to get started moving over the files you’ve already got.